Sabi Westoby
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Easter Exhibitions

26/3/2013

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I went today to see the four separate Easter Exhibitions at The Bramble Patch in Weedon, well worth a visit.

Hidden Depths, is a wonderful display of work by Linda Maynard's students, "showcasing a variety of surface design techniques and their application through a selection of art quilts and art cloth".  The extract from the publicity flyer encapsulates the nature of this part of the show.  The works are full of depth, vibrant colour and texture - a beautiful display.

The exhibition, Orientation, by SiX and Friends, shows wonderful work by the mother and daughter team, Linda and Laura Kemshall, Ineke Berlyn, Edwina Mackinnon and Catherine Nicholls; I loved the pieces by Annabel Rainbow, especially the nude female figure pouring tea.  Using text for quilting on the body gave texture and line and I felt it was a celebration of women growing older.  Just lovely.  I also thought the work by Stephanie Redfern was striking in its clean lines and limited colours - gorgeous.

The work by Angie Hughes and her students, Riches of Stitches, was, by contrast, richly coloured, intricate and highly embellished - a visual feast for the eyes.

The last exhibition was Creative Explorations, the work of Bren Boardman and her ten Independent Study Group students, of which I was privileged to be one.  This show has a wide range of work - Tracy Allen's theme of mussels was shown in a textile bowl and mobile; Susan King's explorations of the palm tree was shown in two wall hangings with beautiful quilting; the lively colours in Sarah Shower's wall quilt and cushions were stunning pinks, purples and yellows; Gill Austen-Smith exhibited a textile wall hanging depicting scenes from Switzerland, using photographic images as well as a wide range of stitch; Pippa Hutchins had explored felting and her four wall hangings almost vibrated with colour; June Jessop's theme was Threads of Memories, two hand-made books using materials and ephemera collected over decades; Gerry Rooney is a ceramicist and her work was porcelain birds, some in a wire cage and some free; Philippa Laughton is experimenting with tweeds and her pieces included richly coloured fabrics from her recent trip to Bhutan; Diana Sharvill showed three small framed pieces depicting lichen in Iceland as well as two works using 3-D flowers; Bren Boardman has a wonderful large landscape in her trademark paint and stitch on Lutrador - just glorious.  I showed three pieces, a wall hanging and a framed piece depicting teasels and using teabags, as well as Stratified Sunflowers.

So, if you should find yourself in the Northampton area, do go to this show - you will not be disappointed.  Of course, you could always make the trip especially to see the exhibitions!
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Spring Knitting & Stitching Show

17/3/2013

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I went to the revamped Olympia show today, not knowing what to expect and was pleasantly surprised.  A good selection of well stocked traders, wide aisles and
natural light made for a pleasant few hours.

My favourite display was the Woodland Boudoir and I quote from the show guide:-

In fairy tales the woods stand for female sexuality, a place for young girls to get lost in but inhabited by mature women.  Designed by Yulia Badian - Silk Felt, the boudoir combines the talents of 8 artists in celebration of mature female sexuality.  "Lady Spring" has risen from her winter-bed, spring returns, sap rises and love is in the air.
I like the celebration of the mature woman - long may we flourish!

At the other end of the age spectrum was an impressive display with the results of the National Fashion Competition.  Organised by creative charity FAD and King's Ely Independent School, clothes designed and created by 16-18 year olds were shown.  It was wonderful to see such young talent being encouraged and nurtured.

This show is different from that at Alexandra Palace in October, but I do think the organisers should consider inviting "names" in the textile world to exhibit. 
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Contemporary Textile Fair

9/3/2013

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I went to this event today, held annually at the Landmark Arts Centre in the converted St Albans church in Teddington. 

The building is impressive and, at first sight, might not seem like an appropriate venue for small scale works.  However, with the clever use of lighting and screens that problem was successfully overcome.

It was wonderful to meet and see the work of 76 artists with not a trader in sight!

The textiles of Gill Banks were striking, particularly her monochrome and discharged pieces, one of my favourite colour palettes.

I also loved the work of Liz Emery, a felt artist, and had to bring home with me one of her highly atmospheric cards.

Sue Lancaster's spring-like hand dyed and printed fabrics were made into lovely quilts and cushions - very moreish!

....And many other artists whose work I found inspiring.  When I returned home I felt as though I had had an injection of creativity.  So, watch this blog for an update!
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